Explore My Creative World

Explore the creative world of Kenneth Schumacher, where storytelling, visual art, and sound come together through decades of experience and imagination. Discover his work as an author, recording engineer, technology writer, and visual artist.

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Novelist

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Audio Engineer

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Visual Artist

AUTHOR · ENGINEER · TIME ARTIST

Exploring Humanity's Future Through AI, Music & Time-Based Art

Kenneth Schumacher is an author, recording engineer, and experimental Time Artist exploring the intersection of artificial intelligence, creativity, ethics, music and human experience.

TM — BOOK ONE

Plausibility

A technology novel that asks what remains human once the machine can convince us of anything. Kenneth Schumacher draws on forty years inside the broadcast and technology industry to build a story where trust, ethics and artificial intelligence collide — sharpened by a wicked sense of humor and an acute awareness of the ironies that surround us all.

Told through characters written with enough honesty that readers report living the story through their eyes — no forced drama, just smart people making understandable choices in an unstable present.

THE TRILOGY

Three Books. Three Timelines.

CONJECTURE

Moving forward twenty years, revealing what may be when competing AIs dominate human society.

Book One

Plausibility

Plausibility. The world as it is now, and the first cracks in what we thought we could trust.

POSSIBILITIES

Three possible endings. One wonderful, one horrible, and one somewhere in between. Two are entirely written by Kenneth Schumacher and one written by AI. Can you tell which one?

ABOUT THE AUTHOR

KEN SCHUMACHER AUDIO ENGINEERING BIO:

Live Vibes Recording, owned and operated by Ken Schumacher, is located in the beautiful Sierra Nevada foothills of Nevada County, between Sacramento and Reno.

I am passionately committed to capturing live musical performances so that people other than those lucky enough to be in the audience can also experience the magic. It takes skill, perseverance, and a bit of luck to be in the right place, at the right time, with the right equipment.

I have sought out creative musical performances to record. Over the years, my technical toolset has grown significantly, and I have acquired considerable experience in the art and science of recording music on location.

Recording Chronology

(Redlands, California)

– John Fahey, The Barn, UC Riverside, November 6, 1976

(Fullerton, California)

– Steamers Cafe

(Grass Valley/Nevada City, California)

  • Alasdair Fraser

  • Buck Love and the Humperheads

  • Dakota Sid and the Bandland Serenaders

  • Sierra Jazz Society

  • Gold Country Piano Institute

  • Nevada County Composers Cooperative

  • Young Composers Project

  • Terry Riley

  • Ludi Hinrichs

  • Bill Douglass

  • Binns Melander

  • And dozens of other local performers

    I’ve progressed from recording two dynamic mics feeding an analog reel-to-reel recorder, jazz club sound board mixes to DAT tape, through 16 channel location recording to two ADAT machines, and finally 24 track digital recording to computer. All on location. I mix in my living room, which sounds great with its Genelec speakers.

    I met David Royer when he was custom building mics in his Fullerton garage, and still own a pair of his “pipe-bomb” handmade tube condenser mics that sound fantastic. I now own dozens of recording and stage mics, with an emphasis on ribbons, where I can exploit the nulls in their figure-eight pickup patterns to isolate individual musicians on crowded stages.

Live Sound Engineering:

– Steamers Cafe, Fullerton CA
– Coopers Saloon, Nevada City, CA
– Crazy Horse Saloon and Grill, Nevada City, CA
– Trabucco Ranch, Grass Valley, CA

Sound Engineering Philosophy:

Keep the musicians happy, help them feel comfortable on stage, and be minimally intrusive when placing mics, especially when the performance is also being video recorded. When asked to simultaneously do live sound and record, I ask the client which is most important. In a live situation, unexpected things can come up. I need to know where to focus my attention during a crisis, and believe it should be the live performance, out of respect for the audience. And probably the best way to help ensure a good performance is to give the musicians a great stage monitor mix. When they can hear themselves well, they play better.  
I am now retired and record mostly for my own pleasure, and as a service to musicians who hire me. I don’t like to travel, so now limit my activity to the Nevada County area, which happily is home to an extraordinarly number of extremely talented musicians.

TECHNOLOGY & THOUGHT LEADERSHIP

Ideas Worth Sitting With

Artificial Intelligence

What machine intelligence is actually capable of — and where the plausible ends.

Ethics

The quiet decisions inside every system that end up shaping human lives.

Future Storytelling

Fiction as a way to test-drive the world before it arrives.

Corporate Responsibility

Forty years inside the industry, looking back at what got built and why.

Human vs Machine

Where the line actually sits, and who keeps redrawing it.

KEN SCHUMACHER,
VISUAL ARTIST

I consider myself a “time artist.” Much of my creative work is time-based, with recording music a prime example of that. But I also create visual work, specifically kinetic sculpture and video feedback. A peek at some of my motion sculptures, along with a bit of philosophical musing, can be seen in “Chaos Generators,” available on my YouTube channel. Lots of video feedback is also presented there, including my favorite: “Circle, Triangle, Square.” You can probably learn more about me watching them than by reading this bio.

I first discovered video feedback in the mid 1970’s, when I worked as an AV tech at the University of Redlands. For that I used Sony Portapak black-and-white half-inch reel-to-reel video (the first consumer video recording system). Soon after I gained access to a color video camera and 3/4 inch U-matic video recorder (the world’s first VCR), and an entirely new visual world apeared.

Now, in my spare-bedroom video studio, I have two 4K cameras facing two high quality flat screen monitors connected to a KiPro hard disk video recorder (courtesy AJA video, my former employer from which I recently retired). I envision my next large-scale visual-art project to be a 24-hour live stream of video feedback (both real-time generated and recorded), chaotically synced to live and recorded music.

TECHNOLOGY & THOUGHT LEADERSHIP

Ideas Worth Sitting With

Artificial Intelligence

What machine intelligence is actually capable of — and where the plausible ends.

Ethics

The quiet decisions inside every system that end up shaping human lives.

Future Storytelling

Fiction as a way to test-drive the world before it arrives.

Corporate Responsibility

Forty years inside the industry, looking back at what got built and why.

Human vs Machine

Where the line actually sits, and who keeps redrawing it.

LIVE VIBES RECORDING

Sound, Captured Live

Location Sessions Vol. 1

Jazz · Live Recording

Folk Room Tapes

Folk · Live Recording

Concert Hall Archive

Classical · Live Recording

Analog Rock Sessions

Rock · Live Recording

EXPERIMENTAL TIME ART

Video Work & Time-Based Pieces

Time Art / 04:12

Time Art / 04:12

Time Art / 04:12

LATEST NEWS

Dispatches

Jul 2026 Release

TM: Plausibility is now available.

Read More

Jul 2026 Release

Why I let an AI write one ending, and hid which one.

Read More

Jul 2026 Release

Inside the Live Vibes Recording archive.

Read More

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