A technology novel that asks what remains human once the machine can convince us of anything. Kenneth Schumacher draws on forty years inside the broadcast and technology industry to build a story where trust, ethics and artificial intelligence collide — sharpened by a wicked sense of humor and an acute awareness of the ironies that surround us all.
Told through characters written with enough honesty that readers report living the story through their eyes — no forced drama, just smart people making understandable choices in an unstable present.
Live Vibes Recording, owned and operated by Ken Schumacher, is located in the beautiful Sierra Nevada foothills of Nevada County, between Sacramento and Reno.
I am passionately committed to capturing live musical performances so that people other than those lucky enough to be in the audience can also experience the magic. It takes skill, perseverance, and a bit of luck to be in the right place, at the right time, with the right equipment.
I have sought out creative musical performances to record. Over the years, my technical toolset has grown significantly, and I have acquired considerable experience in the art and science of recording music on location.
(Redlands, California)
– John Fahey, The Barn, UC Riverside, November 6, 1976
(Fullerton, California)
– Steamers Cafe
(Grass Valley/Nevada City, California)
Alasdair Fraser
Buck Love and the Humperheads
Dakota Sid and the Bandland Serenaders
Sierra Jazz Society
Gold Country Piano Institute
Nevada County Composers Cooperative
Young Composers Project
Terry Riley
Ludi Hinrichs
Bill Douglass
Binns Melander
And dozens of other local performers
I’ve progressed from recording two dynamic mics feeding an analog reel-to-reel recorder, jazz club sound board mixes to DAT tape, through 16 channel location recording to two ADAT machines, and finally 24 track digital recording to computer. All on location. I mix in my living room, which sounds great with its Genelec speakers.
I consider myself a “time artist.” Much of my creative work is time-based, with recording music a prime example of that. But I also create visual work, specifically kinetic sculpture and video feedback. A peek at some of my motion sculptures, along with a bit of philosophical musing, can be seen in “Chaos Generators,” available on my YouTube channel. Lots of video feedback is also presented there, including my favorite: “Circle, Triangle, Square.” You can probably learn more about me watching them than by reading this bio.
I first discovered video feedback in the mid 1970’s, when I worked as an AV tech at the University of Redlands. For that I used Sony Portapak black-and-white half-inch reel-to-reel video (the first consumer video recording system). Soon after I gained access to a color video camera and 3/4 inch U-matic video recorder (the world’s first VCR), and an entirely new visual world apeared.
Now, in my spare-bedroom video studio, I have two 4K cameras facing two high quality flat screen monitors connected to a KiPro hard disk video recorder (courtesy AJA video, my former employer from which I recently retired). I envision my next large-scale visual-art project to be a 24-hour live stream of video feedback (both real-time generated and recorded), chaotically synced to live and recorded music.